EASY CUT STUDIO VS SURE CUTS A LOT SOFTWARE

Kate: Speaking of geography and landscape, how do you approach the relationship between landscape and virtual environments? “The Fascinogenic Eye” (2022), acrylic, bamboo, paper, wood, and Dacron. From here, we’re 50 minutes from our station to Grand Central, so we can do a lot in the city, but we don’t have to have the day-to-day living there, which I think is good for me. Ossining, where we are now, turned out to be kind of a good solution. That energy and that need to survive in those kinds of hostile environments was useful and good for my work-probably, but at some point I got a little bit worn out. I was in the city from the time I went to school in Chicago, and then I moved to Los Angeles, and then I moved to New York, so, most of my adult life. I guess in the end, it’s also a little bit more peaceful to not have to contend with all the chaos every day. I have the ability to move here and not lose my mind. Having grown up in Walla Walla, Washington, which at the time was 25,000 people, three hours from any place, I think that my reliance on outside entertainment is much less. Jacob: I think it was easier for me to move to a smaller town where there’s not a lot going on than a lot of artists from more metropolitan areas, especially because of the way that a lot of artists that come from urban areas are drawing on that energy and cultural information for their work. Has that affected how you approach your work? Kate: I’m curious about your upbringing in a smaller community, then working for a while in different cities, and recently, relocating again to a smaller community in the Hudson Valley. All images © Jacob Hashimoto, shared with permission Cornelius Chapel, Governors Island, New York. Shown above is “The Eclipse” (2017-2018), acrylic, bamboo, screen prints, paper, wood, and cotton. This conversation has been edited and condensed for clarity. They discuss the significance of personal narrative, the evolution of technology and its influence on the ways that we perceive our surroundings, and the importance of teaching yourself new skills.

EASY CUT STUDIO VS SURE CUTS A LOT SOFTWARE

Game design and 3D-modeling software have inspired an evolving interest in layers, multiplication, and movement around physical space.Ĭolossal editor Kate Mothes spoke with Hashimoto in June of this year via Zoom. Hashimoto describes the kite elements as “pixels,” nodding to his interest in virtual realms and world-building. His interest in the legacy of the gestural landscape abstraction associated with painters like Mark Rothko or Helen Frankenthaler translated the brushstroke into a repeating module or disc shape.

Each screen-printed disc is inspired by his surroundings, pop culture, and current events, and the individual components are assembled into fields in a vast range of vivid colors, patterns, and sizes, from wall works to elaborate architectural installations. In the suspended worlds of upstate New York-based artist Jacob Hashimoto, a multitude of undulating forms and layers begin with a single element: a kite.

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